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BEELDENDE KUNST IN BELGIË, 1986
Jef Cornelis - Freddy CoppensOriginally broadcast on March 16th 1986, the programme Beeldende kunst in België, 1986 (Visual Art in Belgium, 1986) is a recording of a panel discussion that took place in the Royal Museum of Fine Arts in Antwerp...
ZEEDIJK KNOKKE-HEIST
Danny MatthysThe video starts from four videotapes, shot from a car (left, right, front and back) leaving the sea-front promenade at Knokke-Heist. The perception of this straight street is first of all analysed into four components by four cameras...
POUR LA MÈRE ET LA FILLE
Olivier DekegelAn impressionist elegy about spring, water, light and motherly love, shot from the shoulder on Super 8. Connecting colourful snapshots and intimate scenes the film constitutes a homage to the candour, the cordiality and poetical nature of amateur films, home movies and domestic holiday shoots, which have developed over a couple of decades into conventionalised visual representations of the world...
LA DANSE DES QUAIS / DE KAAIENDANS
Rébecca FruitmanProduced thanks to a range of local partners, the Super 8 Project explores the audiovisual memory of the historic Quay district located in and around the former Port of Brussels...
CADERE GBA
Angel VergaraMarie-Puck Broodthaers lent Angel Vergara a piece of Cadere’s work. Vergara is walking around with it in the Centre for Fine Arts, where at that time an exhibition of Benjamin Katz was taking place. John Baldessari and Carl André appear onscreen....
SANS TITRE. UN JOUR AGNÈS RENCONTRE SON DOUBLE DANS UN HÔTEL
Nicolas DufranneOne day Agnes runs into her doppelganger in a hotel, a young woman who bears a weird likeness to her and who died by drowning...
SMALL LIES, BIG TRUTH
Shelly Silver"In turn funny, disturbing and glisteningly sensual, small lies, Big Truth is a video about love, relationships and the joys and banality of sex in the late 20th century. It also touches on such issues as morality, voyeurism, nature vs. culture and power, as eight people are heard reading, in the first person, from the testimony of Monica S...
THE TREE HOUSE
Trương Minh Quý"In Trương Minh Quý’s striking second feature, a man living on Mars in the year 2045 examines footage brought back from his encounters with an indigenous community in the jungles of Vietnam. As he experiments, his thoughts drift from matters of identity, aesthetics, and the politics of imagemaking, to ritual burial practices, to the seen and unseen forces that shape cultures...