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ON SCULPTURES

Messieurs Delmotte
This work is part of the series The Mental Reason Vol. 2...
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THE HUNDRED VIDEOS 88. THREE DREAMS

Steve Reinke
I’m in Chichen Itza and walking from the ball court to the big pyramid and it’s just about to get dark....

THE UNDERDEVELOPED MAN

Messieurs Delmotte
In 2012 Messieurs Delmotte went to Jakarta where he did a series of his typical performances in public space. We witness him carrying out breakneck tricks like lying on the banister of a bridge spanning a rock-filled river, or lying on the pavement of a extremely busy road...

THE BREECHES (2)

Messieurs Delmotte
Second part of a performace diptych. A person – Messieurs Delmotte himself ? – stands with his back in front of the camera. He is wearing white, almost transparent underwear; the only part filmed is his mid section. From between his legs a pot of choco pasta is slowly emptied....

INSIDE RUMOURS

Hugo Pauwels - Sabine Van Der Linden
Some buildings radiate a personality of their own through their shape and environment. Apparently they exist there, in and of themselves, unaffected by time and human restlessness. Still, every window hides an existence. This is the short story of one of these buildings, filmed over 24 hours, in which flashes of the people that live there and rumours peep through...

ALDEN BIEZEN

Jef Cornelis
The Landcommandery Alden Biezen in Bilzen was built by the German Order. The impressive premises of the castle, which have now been turned into a cultural centre of the Flemish Community, were still abandoned when this documentary was made, collapsing under old age and aimlessness...

WIE GEWOHNT. EIN VERSATZSTÜCK

Eran Schaerf - Eva Meyer
‘As Habitual’ is a set piece, a documentary fiction, about how to adapt oneself to unknown regions without surrendering to them. This movie is situated in Mombassa and Zanzibar, where you can find a material called Khanga that hovers between language and architecture, and in fact turns into a habit...
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LE CYGNE ET SON IMAGE

Jacques Louis Nyst
The title in 'Le cygne et son image’ soon becomes the white canvas on which Nyst has drawn what appears at first as a tail or a path. The screen is horizontally divided in two, the lower part occupied by the canvas and the upper by Nyst’s naked body. When the swan the title refers to appears, it may seem that it is its own image that it contemplates on the white surface...
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VIDÉO RELATIONNELLE (1973 - 1974)

Jacques Lennep
This compilation combines short video sequences, recorded in 1974 and 1975 by the CAP collective, making them the first to use video as an artistic medium of expression...