For 5 days Sarah Vanagt and cinematographer Annemarie Lean-Vercoe followed a donkey during its weekly visits to old people in nursing homes in South-England. From home to home, from room to room. Each time the donkey was welcomed warmly, with greetings, songs, strokes, childhood stories, poems, and laughter. Until the donkey entered the room of Norbert, a man who lost his ability to speak, yet not his ability to touch.

Even though Vanagt initially followed the donkey’s steps in search of reminiscences brought about by the animal’s mute presence, she came home with an altogether different film. While editing, the film became shorter and shorter, as if the words that had accompanied the donkey’s visits got in the way. What is left is perhaps a bas-relief disguised as a painting, disguised as a film.

’The Corridor’ can be screened either as a short film in a cinema, or as an installation in an exhibition space. The film version (6’45) contains end credits, the installation version is looped continuously, without credits (30’).