BOMBAY TAXI GIRL

Roy Villevoye
A large paining is carried from a billboard workshop through the busy streets of Bombay. The painting, which has no advertising message to convey, is then hung in a tree. Some passerby react excitedly, while others remain indifferent....

STREAM

Ruben Bellinkx
Instead of light water is coming out of a lamp above a table. The water takes the shape from the light....

POKMÁN

Roy Villevoye - Jan Dietvorst
Women chase their menfolk and beat them with burning sticks in an Asmat village. The young men suffer the beatings gladly and even seek out this treatment. Are we witnessing a punishment or is this a marriage market? Pokmán was filmed in the Asmat village of Pupis in May 2000....

US/THEM

Jan Dietvorst - Roy Villevoye
Us/them is a non-linear montage of images from two cultures, shown alongside one another and out of sync. The film's slow pace gives the viewer the feeling the he or she is actuallly present. The mythical character of a pre-industrial culture alternates with the modernity of the western world...

CITYGARDEN

Ruben Bellinkx
The film "Citygarden" is a video registration of a permanent installation in the city garden in Ghent, Belgium. At a certain spot in this city garden the earth is slowly splitting open and closing. Air cushion, two electronic controled ventils, air compressor....

FLASH BACK

Claude Cattelain
In his work Claude Cattelain tries to grasp the essence in the volatile. His short and personal flashes of astonishment and fragility offer a striking image of a passage from one place to another, or a shift in frames of mind...

HÉLÈNE

Claude Cattelain
In his work Claude Cattelain tries to grasp the essence in the volatile. His short and personal flashes of astonishment and fragility offer a striking image of a passage from one place to another, or a shift in frames of mind...

3 BLOCS

Claude Cattelain
Holding three blocks against a wall with my head....

FROM GREEN TO RED

Claude Cattelain
Run up to the traffic lights ; press the crosswalk button ; run to hide ; the light becomes red and the cars stop. At the green light, run up to the traffic lights......

REPÉRAGE

Herman Asselberghs
Why not remake 'Zabriskie Point'? Michelangelo Antonioni's early seventies film was about contemporary America seen from a distance. ‘Moi, j’ai regardé l’Amérique telle qu’elle m’est apparue, sans savoir ce qu’elle est,’ the Italian director stated, philosophically downplaying his thorough research into late sixties U.S. turmoil...