They turn their heads to watch the display: pyrotechnic drama for an artificial love? Alternatively looking at the sky and into each other’s eyes, the couple seems to relate their romance to the exploding spectacle. And indeed, after the music has reached its summit – with violins and trumpets – the fireworks subside, and so does their ‘relationship’. The man walks away from the woman, leaving her standing alone on the balcony.
The Divers might be seen as an (ironic) neo-romantic audiovisual painting or as a melodrama that reaches for the viewer’s (subconscious) cinematic and emotional memory. It also toys with the semiotics of film conventions and with romantic recipes that featuring classical ingredients such as ‘man’, ‘woman’, ‘balcony’, ‘night’, ‘city’, ‘fireworks’, ‘moon’, touching and withdrawing.