Teresa Cos investigates the human condition, understood as the endless negotiation between individual subjectivities and global societies, embedded conditions of birth and displaced nomadic becomings. Through still and moving images, sound and music, diagrams and scores, she exposes a sort of absurd dynamic stagnation (loop), generated by the “always different, always the same” repetition of everyday rituals and mesmeric reiteration of socio-political,concepts. The overall attitude is performative, for the work comes from the active observation and intervention on specific, yet symbolic places and circumstances and it aims at conveying the immanency of a live act.